Monday, 9 July 2012

Keep Streets Live - Mass Busk in Liverpool

As I posted a few months ago, Liverpool City Council are proposing a license in order for people to busk.  (See here: http://beneaththebeat.blogspot.co.uk/2012/03/beat-of-street.html)

These new rules are deemed by most buskers to be overtly restrictive and a threat against the spontaneity and vitality of street performance.



To that end the  KEEP STREETS LIVE campaign has been petitioning the council to re-think their decision.

Sign the petiton HERE.

Furthermore they will be promoting a MASS BUSK in an unofficial launch party for this new legislation.  The Busk will be in Liverpool City Centre today at 12pm.

See you there.

Tuesday, 3 July 2012

Newton Faulkner - Clouds



Ok, he's not a Liverpool artist but Newton Faulkner's new video really shows you Liverpool from a different angle.

The technique is called tilt-shift and makes real photographs and films look as if they were scale models.  It's cool to see Liverpool like a Hornby Train set.

Wednesday, 13 June 2012

City in Minutes - Harp Music



Here is a great video which by itself is striking.  With the added dimension of Liverpool harpist Stan Ambrose the video is really lifted to soaring heights of beauty and elegance.

Enjoy.

Thursday, 31 May 2012

Al Jolson and Liverpool

It has recently been mooted that Liverpool should have a National Migration Centre, sort of like a British Ellis Island.  For nine million people the Liverpool waterfront would be their last view of the grim Old World. 

Many of those emigrants were fleeing poverty and persecution.  They were not just from Britain but from all over Europe.  In 1894 a young Lithuanian family arrived in Liverpool on their way to begin a new life in America.   The family, Naomi Yoelson and three young children had ridden on hay wagons, trains and packet steamers to reach Liverpool where they would board a grand ocean liner to take them to New York.

'RMS Umbria' - the Cunard liner that took the Yoelson family to America.

They must have been anxious, the father Rabbi Mosel Reuben Yoelson had already reached America in 1891 and had been saving money so he could afford to bring his family over with him.  Times had been hard and it had taken four years before he could afford it.

Whilst waiting for passage in Liverpool, Naomi let her children wander the teeming cobbled streets full of sailors, entertainers (like Seth Davy), hawkers, costermongers, prostitutes and the human detritus that so characterised 19th century Liverpool.  Her youngest child, eight year old Asa Yoelson was fascinated by the street life of the city and the day before they were due to board the Cunard ship 'RMS Umbria' he wandered off and got lost.  Naomi was distraught. 

'A young Asa Yoelson'

Luckily no harm came to young Asa, a policeman returned him.  Little did that policeman know that the young Jewish emigrant he had helped would become one of the greatest stars of film and stage in history.

The young Asa and his brother would perform on street corners for coins which they would then spend on buying theatre tickets.  It would be years before Asa Yoelson became 'Al Jolson - The Worlds Greatest Entertainer'.

Did the star of stage and film remember his brief time in Liverpool?  

Later in his career, when filming the seminal film 'The Jazz Singer' a Liverpuddlian would enter the story.  George Groves a Lancashire lad who studied at Liverpool University would become a pioneer of sound recording and so impressed Jolson that he dubbed him 'the quiet little Englishman' and insisted he recorded all his later pictures. 



 Liverpool was the greatest emigration port in the world and it is no wonder that many prominent Americans can trace their origins through Liverpool at one time or another.

Friday, 25 May 2012

A Flock of Seagulls playing... A Flock of Seagulls


Here is a new advert using the music from the Liverpool New Wave band 'A Flock of Seagulls'.

Its a pity A Flock of Seagulls faded out as quickly as they did but their music really captures the time they were writing.  That period was in the early 1980s when music videos were coming to the fore and new production techniques were being pioneered.


Who can listen to their hit: 'Space Age Love Song' and not hear the foetal glimmers of Britpop and 90s Indie?
A great song for a lovely sunny day!

Monday, 23 April 2012

Jacqui and Bridie

Apologies for the brief hiatus, I was up a mountain in Morocco and blogging at 13,000 feet is no mean task.

I remember as a child being fascinated by the turntable on my parent hi-fi system.  We didn't actually have many LP discs (my dad being an ultra cool trendy 1980s guy had ditched them all in favour of tapes) but my mum had a small collection of folk music.

One disc in particular was a favourite of mine, had a cover of two ladies standing by the famous Peter Pan statue in Sefton Park, Liverpool (a copy of the one in London).  Their names were Jacqui and Bridie and they were Britains first female folk duo.


They ran a Folk Club in Liverpool in the 1960s, no mean feat considering the male dominated folk and pub scene at the time.


Sadly, Bridie passed away a few years ago and last year after 50 years Jacquie held the final Folk Club.



Whatever you think of their style and music they were a formidable presence in the Liverpool folk revival.  A two part documentary 'Pink and Pleasant Land' was filmed as part of the final Folk Club and I think it paints a fitting tribute to two figures that broke the mould.


The album is now quite rare, it was called 'Hello Friend' and if anyone has it i'd love to get a copy.

Thursday, 5 April 2012

Not Only Bootleg But Also Not Beatles

Whilst travailing the backwaters of the internet in search of snippets for this blog, I came across the claim that there was an unreleased Beatles bootleg recording, done around 1967 of a song called 'The L.S. Bumblebee'.

I duly listened to it and wasn't convinced.  The Beatles influences where there, sitar drone, hallucinogenic lyrics etc... but it didn't sound like The Beatles.  Sure enough after a little bit of searching I discovered it was performed by none other than Peter Cook and Dudley Moore.

Cook and Moore are widely considered the most influential comedy act ever.  They spearheaded the satire boom of the 1960s and paved the way from everything from the Pythons to The Mighty Boosh.

I duly YouTube'd and found this extract from the series Not Only... But Also... showing the full L.S. Bumblebee sketch - keep an eye out for the surprise guest in the segment following the song!

John Lennon appeared no fewer than three times in Not Only... But Also...  in 1964, 1965 and 1966.  I'm still trying to find out his relationship with Cook and Moore but obviously it was more than just a casual acquaintanceship.  

The Beatles has performed in comedy before, most notably with Ken Dodd and Morecambe and Wise but this was as an ensemble.  Was Lennon's relationship with Cook and Moore more personal?  I can easily imagine Lennon's acerbic humour chiming with the satire, surrealism and musical comedy of Cook and Moore.

Whether Lennon personally had any influence on the LS Bumblebee song itself is doubtful, but in a time when  great performers are too often pigeon-holed into one area or another it is good to remind ourselves that crossovers in the 1960s were more common and often surprising than you'd think.