Monday, 6 February 2012

Liverpool - An Altered Town


 One familiar with the city cannot help but look around Liverpool today and be astounded by the changes of the past decade.  The transformation of the city centre from the damp, drab and disintegrated (or perhaps disintegrating) concrete wasteland to the vibrant flowing modern city is a lesson in how to do town planning right!

However, you will always get people who yearn for yesterday.  People who think that the grass was always greener before (even if that grass was was the 1970s Pier Head *shudder*).

Regardless of whether these decisions have been seen out to be right or wrong, they have always acted as a catalyst for commemoration - often through the medium of folksong.

Liverpools latest transformation is just one of a series of massive changes that have altered the city - the first major change was the building of the Old Dock in the 1710s, without that we would not have Bold Street and the ropewalks area for they were built on the old wasteland heath over 'the pool' (below).

Map of location of the Old Pool on a mid-victorian town plan.

The Old Dock itself succumbed to the progress of commerce and civility and was filled in and by 1828 was the site of John Foster's magnificent Customs House (below).

This magnificent building stood until the actions of the Luftwaffe left it a burnt-out ruin, it was pulled down shortly after the war.

We look at it as a beautiful symbol of neoclassical grandeur at the hight of the Georgian period.
The people of Liverpool in the 1830s didn't necessarily see it that way.

This song; 'Liverpool's an Altered Town' seems astounding to us today but it really shows how the town changed between the 1700s and the 1800s.  It lists a number of churches that have been erected, how the old dock was filled in, how St Thomas's church spire was pulled down (neglecting to mention it was so high and jerry-built that it used to visibly sway in high winds!).

St Thomas's Church, before and after it's spire


What is even more fascinating is that this same tune was adapted to form a song that had the exact opposite sentiments, compare these two stanzas.

Liverpool is an Altered Town - 1830

"The spire of famed St Thomas's"      
"That long had stood the weather"
"Although it was so very high, they've downed it all together"
"And the Old Dock the poor Old Dock"
"The Theme of many a sonnet"
"They've pulled it up and now have built a customs house upon it"

Liverpool is Improving Daily - 1828

"Once Old Dock was so strangely fixt"
"The streets seemed not connecte'd"
"There ships and houses oddly mix'd, now a grand Customs House erected"
"What glorious sights on Kings Birthday"
"The ladies gay and music play"
"With all the Clubs so fine array'd, and Mr Mayor the first stone laid."

One song seems mired in misplaced nostalgia (the old dock the theme of sonnets?) and the other mired by jingoism and blatant civic boasting.

These songs, although in the folk tradition are not really folk songs.  The first one 'Liverpool is Improving Daily' was written in 1828 specifically for the grand procession to lay the foundation of the Customs House. It is basically a piece of spin, PR and propaganda.

The second song 'Liverpool is an Altered Town' was printed by John Harkness of Preston as a 'Broadside Ballad'.  These were printed in their hundreds, they were very popular and were often sold by pedlars and street-hawkers throughout the country.  There were not about collecting and preserving folk songs, but rather selling cheap-diversionary ephemera. 

 It is telling of where Mr Harkness's priorities lie that in his catalogue he also had ballad such as: "Preston is an Altered Town" and "Manchester is an Altered Town".



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